31 January 2011

Surrealist as Mexico

The kidnappers' photo published one month after El Jefe was released.

Diego Fernandez de Cevallos "El Jefe" by Marisa Polin

One step further in the absurd irony of what happened and not happened to El Jefe Diego Fernandez de Cevallos.
His supposedly captors "Los Misteriosos Desaparecedores" just sent a new letter with this phtotograph to Navegaciones.
Here you see El Jefe already thinner and with a longer beard holding Proceso magazine with my painting based on a previously released click by the kidnappers holding a Proceso magazine with the cover of a free El Jefe as proof of being alive after his disappearance. 
It is so absurd that it is easy to think that it is made with photoshop, I first thought so, but now I know is not.

Free
The cover of "El Jefe" with Marisa Polin's painting.

The photo sent by the kidnappers.
The cover from Proceso he is holding on the shot in captivity.
Photoshop: The parody.
Photoshop parody Endless El Jefe
Photoshop: Navidad

Eugenics in the art

Gert Germeraad shows his last portraits.
"On Racial Biology" (Eugenics) are based upon pictures from the Swedish Institute of Racial Biology in Uppsala (1921-1958) - we see a number of portraits of people who were victims of Herman Lundborg and other eugenicists. Germeraad's work is a way to restore the dignity and identity of these people.

24 January 2011

The artist studio


and the back of the artist.
The Dutch artist Andre Smits has been working on the project Artists of the World for sometime. It is quite straightforward but it tells a lot about the artists through looking at their work place. It also helps filling the voyeuristic desire of us all to see how the artist works.
He was taking pictures in The Hague last week when he also took a photo of my place. It wasn't what I was expecting as it is really about the working space and not about the work. 
Thanks Andre!

17 January 2011

Art exchange


Jochem Rotteveel being welcomed by host Jonathan Den Breejen
Tupajumi invited artists and collectors to their First International Tupajumi Art Exchange: Fitax500 to exchange their art works valued €500. There were only 50 invitations to be given. The meeting was at the new exhibition space of Kunst&Complex at Rotterdam, where we were received not only with many glasses of champagne but also by an extremely friendly atmosphere. 
Jonquil
Kees Koomen, V&B and Marisa Polin
It is difficult to think of another formula where all (artists) participants were talking with each other about their work, identifying artist, with name and work. It all happened very natural. I met many new  artists and/or their work. When I left everybody was talking to everybody. Most of the works were exchanged and there are already rumors of a following exchange.

The very much wanted Jeroen Jongeleen's
Geert Baas, Simon Schrikker, V&B, Kees Koomen,
Left Mari Stoel
Regan Gentry
Jaron Korvinus,
and Eveline Visser
 The rules of the game.
Jochem Rotteveel
Jonathan Den Breejen
The participant artists (more or less complete):
, , , , , , , , , , , , , , , , , , Marisa Polin, Mari Stoel, Regan Gentry, Ekaterina Mitichkina, Niels Post, Annegret Kellner, Jeroen Kuster, Aquil Copier, Filip Jonker, Stefan Gross, Daphne ter Wee, Laura d'Ors, Wil Jansen, Rozemarijn Westerink, Petra van Noort, Petra Groen, Marianne Fontein, Daphne Bom, Margrét Úrsúla Ólafdóttir Hauth, Margot Annuschek, Jolien Kramer, Harriet van Reek, Dennis Roodbol, Ronan Lan.

More info and more photos: Tupajumi, Trendbeheer, Kees Koome, 5 uur

12 January 2011

Liesbeth Doornbosch

Liesbeth Doornbosch. The Netherlands 
If you like abstract art this is a nice 'only' abstract blog: A/art

09 January 2011

What is a narco message?

We keep our word (Somos de Palabra), 2011, Marisa Polin
Here two paintings I am working on, still fresh, based on the different messages that drug dealers and criminals leave not only for their enemies but also for the press,  the politicians and the public.
They reflect their mean minds and also a lot about their own background.
Grenade, 2011, Marisa Polin

08 January 2011

The first painting of the year

Back to the destiny, 2011, Marisa Polin
Sorry that I can only now post something. I have a good excuse, I was painting and to proof it here is a photo of the very first painting of the year: Back to the destiny. It is based on a poem by K. P. Kavafis. It will be exhibited at the group exhibition Ithaca or Poetry Project IV at World Art Delft in The Netherlands. It opens 29 January 2011.


Ithaca

When you start on your journey to Ithaca,
then pray that the road is long,
full of adventure, full of knowledge.
Do not fear the Lestrygonians
and the Cyclopes and the angry Poseidon.
You will never meet such as these on your path,
if your thoughts remain lofty, if a fine
emotion touches your body and your spirit.
You will never meet the Lestrygonians,
the Cyclopes and the fierce Poseidon,
if you do not carry them within your soul,
if your soul does not raise them up before you.
Then pray that the road is long.
That the summer mornings are many,
that you will enter ports seen for the first time
with such pleasure, with such joy!
Stop at Phoenician markets,
and purchase fine merchandise,
mother-of-pearl and corals, amber and ebony,
and pleasurable perfumes of all kinds,
buy as many pleasurable perfumes as you can;
visit hosts of Egyptian cities,
to learn and learn from those who have knowledge.
Always keep Ithaca fixed in your mind.
To arrive there is your ultimate goal.
But do not hurry the voyage at all.
It is better to let it last for long years;
and even to anchor at the isle when you are old,
rich with all that you have gained on the way,
not expecting that Ithaca will offer you riches.
Ithaca has given you the beautiful voyage.
Without her you would never have taken the road.
But she has nothing more to give you.
And if you find her poor, Ithaca has not defrauded you.
With the great wisdom you have gained, with so much experience,
you must surely have understood by then what Ithaca mean.

-K. P. Kavafis (C. P. Cavafy), translation by Rae Dalven